00:00  (A) Opening phrase.  Notice the 2-beat bass pattern.
00:10  (A) Repeat of chords with new melody.
00:21  (B) New chords.  The bbass begins more of a 4-beat pattern.
00:30  (A) Return to the chords of the original (A) and the 2-beat bass pattern.
00:40  (A) Piano solo chorus.  Listen to the light comping in the left hand.
00:50  (A) Repeat of the chords from the previous eight bars.
00:59  (B) New chords that serve as a contrasting section.
01:09  (A) Return to the initial chords of the first phrase.
01:18  Second solo piano chorus.  The same AABA form continues through the performance
01:57  Third solo piano chorus.  soloist uses more double-time phrases.
02:35  Fourth solo piano chorus.  Another motive is developed.  the solo also begins to use a wider range.
03:12  Fifth solo piano chorus.  More double-time melodic phrases are used.
03:50  Sixth solo piano chorus.  More chordal accents are used.
04:26  The piano makes way for a bass solo.  The drums make steady time while the piano comps softly in the background.
05:04  Second bass solo chorus.  Thematic material from the head is used in the improvisation.
05:41  Piano again takes the lead for another solo chorus.  Listen for the half-time bass pattern under the solo to help set up the final chorus.
06:16  Original head returns for the final chorus.
06:59  End.